WITCH OF THE WEEK: S. Connolly

S. Connolly

 

This week’s Witch of the Week is a Woman by many names whom inspires our community with her otherworldly words, and teachings.

“Four Pen Names, Four Elements”

S. Connolly, or as I have come to know her, Stephanie, is a writer with many published works under her belt. She has been a leading female voice in the LHP and Occult communities for decades; in my eyes she is very much a Divine Feminist.

Ms. Connolly has been practicing Daemonic Magick since 1984 and has been an initiated Daemonolatress since 1990 giving her over 34 years of experience working with the Daemonic.  She has written over 35 titles about Daemonolatry and Daemonic magick. Among them the bestselling Complete Book of Demonolatry.

Her work has appeared in: Qliphoth Journal, Sabbatica, and Anthology of Sorcery: Books 1, 2, and 3, alongside some of the most revered occultists of the 21st Century.  She currently serves as an acquisitions editor at DB Publishing.

Outside the Daemonic and Magickal side of things, Ms. Connolly is a bestselling novelist who writes fantastic, supernatural, and erotic fiction under three additional pen names (Anne O’Connell, Audrey Brice, and S. J. Reisner). She graduated from MSUD in 1995 with a B.A. in English. She and her husband live along the front range of the Rocky Mountains with their three feline companions.

Links to her books and social media can be found on her personal website.

Personal Website: www.sjreisner.com

More about Daemonolatry: www.demonolatry.org

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The Egyptian Glpyh for Heka (Magic)

Q. I was introduced to your work initially through your book ‘The Complete Book of Demonolatry’ and I hated it. Not that the content wasn’t good, or valuable, it was! It is! I think my main issue was the use of the word worship; I generally skim books in an odd manner as opposed to reading them front to back immediately, so maybe that was my mistake. Growing up Roman Catholic worship was a sign of weakness, of being less than our Gods. Have you seen this distaste, or even misunderstanding of the word? Is this something you think people struggle with when entering the world of Demonolatry?

To put things into perspective for the readers I want to use a quote from the book that finally made everything click for me; once I read this, I devoured the book several times over. 

“Self-knowledge, Self-responsibility, and Self- Worship are all parts of Demonolatry as is the quest for knowledge and the practice of Demon worship. We do not grovel before the Demons as unworthy beings that depend on their aide to do anything. They do not control us. We control ourselves. We work with the Demons and honor them to discover our true potential as imperfect, yet divine beings bound by a physical plane of existence. By honoring and worshiping them we are honoring and worshiping ourselves because they are a part of us as we are a part of them. All things are divine. We don’t spend our time trying to look into the eyes of our gods. Instead, we work toward looking through the eyes of our Gods. Basically, we are all the physical manifestation of the divine.”

A. “Most people come from a Judeo-Christian background, and from that worldview – humans are subservient to their Gods. Because people often come to Daemonolatry with that mindset about what worship is – yes – many do have an issue with the word worship. In reality, the word worship means to hold something in high regard, or to have great respect for it. Once people realize this and realize the Daemonic prefer capable students to sedentary grovelers, they get over it. Of course, there are still a fair share of self-styled Daemonolaters out there who do like to grovel before the Daemonic, though that’s not what I teach.”

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Q. In recent years, especially the last two, there has been an increased interest in not only Earth Based and Pagan belief’s but working with infernal energy. We have seen a rise in numbers of the Luciferian, Satanist, Demonolatry, and Nihilist communities. Among them, it seems that there are key demonic (Daemonic) players in the game. Belial, for example, has been around a lot more recently; I have noticed people who wouldn’t usually connect with demonic energy working with Him and others. Why do you think that is? Do you think the current state of the world (widespread political and social unrest) is fueling these Spirits to make an appearance, make themselves known, as an attempt to help us understand ourselves better?

A. “I think that with popularity comes trends. Just like fashion and music. If one of the cool kids in everyone’s favorite online occult group starts chatting about one Daemon, everyone wants to check that Daemon out, so they can come back the next day and chat about it around the virtual water-cooler. None of these Daemons are new, and I knew people who were working with Belial long before it was cool. So, I believe humans create their own trends. You’ll also notice Sorath and Paimon have also had recent bouts of popularity. You’ll notice the trends ebb and flow if you just sit back and watch. Clauneck was popular there for awhile.  Belphegor and Leviathan, too. A lot of the time you’ll find popular occult personalities or writers are responsible for these trends because they’re writing about the particular Daemon in question. Next thing you know – everyone is working with that Daemon and conversing with them.

“I think the popularity of the Daemonic/Infernal is due to the fact that more than ever, people are disenfranchised by their birth religion and/or Judeo-Christian dogma, so they’re searching for something that doesn’t tell them they’re inherently flawed and unworthy. Many pagan religions, LHP and “darker” forms of magick celebrate what it is to be human – flaws and all, while also saying that each person is divine. We are perfect in our “perceived” imperfections. Not to mention LHP religions tell people they are powerful and can make their own choices – create their own lives. Whereas with Christianity, for example, there’s a “let Jesus take the wheel” mentality that leaves people feeling helpless and powerless. People like being given the tools to take their power back (and that’s a lot of what magick is in a nutshell).   Also, our deities and god forms, or divine intelligences, aren’t petty and jealous, nor do they threaten to destroy us and send us to a place called “hell” for disobedience.  Infernal, to me, simply means an energy (Daemon) is closer to the earth sphere (physical plane).”

Lilith

Lilith Qlpiha Sigil: The Woman of the Night by Daemon Barzai, DeviantArt

Q. You are an extremely well-known and respected figure in the Occult and LHP communities, in the beginning did you find it difficult being a Woman? Is it still at times? For me, when I first started out (and I am nowhere near your level) it was a boy’s club, so to speak, and it took a lot of proving myself, for lack of a better term, to be accepted. Why do you think it’s important for Women, particularly, to have a voice in the LHP community? Obviously, it’s important for us to have a voice everywhere, but I think regarding areas of the Occult and Magick that are not all love and light our presence is powerful, and necessary.

A. “Sadly, I have faced some sexism along the way, some of it ongoing. In recent years, now that I’m a woman of a certain age, I have been berated for my looks by young men in the community who judge a woman’s worth based on whether or not her looks give him a hard-on. As if women magicians exist only as masturbation fodder.

“I know several men who have written modifications for Goetic work, or work that sends traditional ceremonial magick on its head who have not been as vocally criticized as I have for ideas that are no stranger or any more unconventional.  Basically – they write a modification guide, they get a pass. I write one, the villagers want to burn me at the stake.  Complete double standard there.

“I have also found that a lot of people think I’m an easy target. I actually have several male assistants now, who help deal with my email and social media, and believe it or not, that has reduced the number of death threats (from other occultists), and the drama people try to drag me into. But it’s sad that I have to have a male barrier to fend off those types of attacks even now in 2018.  While the occulture is rife with people who mind everyone else’s business instead of their own, I do sometimes feel singled out for being a woman who works with the Daemonic. When I initially released Daemonolatry Goetia years back, a rather prominent pagan, woman writer contacted me just to tell me how unusual it was for a woman to write about Goetia. I don’t think she meant anything bad by it, I just think she was surprised and wanted to share her surprise with me.

“The fact of the matter is that there are thousands of women who work with Daemons and infernal powers.  We are not nearly the minority some people may think. It’s important we have a voice in the community because we have a lot of experience and knowledge to offer. Sadly, in a lot of occult circles, female participation is marginalized, and we’re relegated to assisting roles, treated as sex objects or symbols of fertility, or we’re “used” as mediums. As if we’re merely magickal tools that exist for the benefit of our male counterparts during their sex magick rituals or what have you. Instead of being relegated, we should be celebrated for being the powerful magicians we are – on the same footing with male magicians.

“Women are more powerful than we’re given credit for (or that we even give ourselves credit for), and we should be valued beyond our physical appearance, wombs, and vaginas. I think women on this path should focus on lifting each other up, not tearing each other down (which I see far too often). We tear each other down when we’re insecure about ourselves. But if we lifted each other up, a lot more women would feel secure, and imagine how empowering that would be.  A rising tide lifts all boats.”

Q. What is one piece of advice that you were given that you will never forget?

“From one of my magickal mentors the best advice I ever received was, “If you want something bad enough, you’ll find a way to manifest it.”

Q. Finally, what is one piece of advice you would give to someone interested in Demonolatry?

A. “Be patient, study, practice, and be present with the Daemonic Divine.  Listen. Spiritual gnosis, self-growth, and magickal competence takes time and effort. There are no quick fixes, magick pills, or shortcuts.”

Stephanie is a force within the Occult and Magickal communities; her words are her weapons, and her balm. She encourages us to see ourselves through the eyes of our gods, and nothing is more profound to me than that.

She defies the status quo one pen stroke at a time.

It’s for these reasons and so many more that she is The Nephilim Rising’s Witch of the Week.

Congratulations, Stephanie.

WITCH OF THE WEEK: Laura Tempest Zakroff

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This week’s Witch of the Week is a friend, colleague, Artist (of many mediums) and fierce Witch. I have been a fan of hers for quite some time, so to be able to pick her brain and present this interview to my readership is surreal.

Laura Tempest Zakroff is a professional artist, author, dancer, designer, teacher, and Witch. She holds a BFA from RISD (The Rhode Island School of Design) and her artwork has received awards and honors worldwide. Her work embodies myth and the esoteric through her drawings and paintings, jewelry, talismans, and other designs. She blogs for Patheos as A Modern Traditional Witch, Witches & Pagans as Fine Art Witchery, and contributes to The Witches’ Almanac, Ltd.

She has two books published by Llewellyn WorldwideThe Witch’s Cauldron: The Craft, Lore & Magick of Ritual Vessels and Sigil Witchery: A Witch’s Guide to Crafting Magick Symbols with two more on the way – The Witch’s Altar (co-authored with Jason Mankey – November 2018) and Weave The Liminal: Living Modern Traditional Witchcraft (January 2019).

You can catch her writing along side me on The House of Twigs as well.

Laura resides in Seattle, Washington, with her partner Nathaniel Johnstone and at least three cats.

Find out more at www.lauratempestzakroff.com

Q. You have this amazing ability to approach some of the most serious aspects of the Craft with humor and sarcasm, while remaining respectful. Why do you think it’s important for us as Witches and people to laugh at ourselves sometimes? I have seen people argue it takes away from the sanctity of the Craft, but I disagree and think it adds realness.

A. “There’s two ways of looking at this approach.  First, I believe there’s a big difference between taking the Craft seriously, and taking ourselves too seriously. Far too often, people over-focus on “what will other people think of us” versus being true to ourselves and our path. You can spend countless hours trying to make sure the exterior view is “just right” or you can get actual work done. People will believe what they want regardless of what you think you’re presenting or telling them. It’s just not real or effective to invest that much energy into a veneer, when your actions and who you really are will speak much deeper. Secondly, people are more apt to learn and absorb new material when play is involved. Play, humor, sarcasm – it can simultaneously stimulate the brain while aiding in helping people to relax. It makes the material accessible, understandable, and relate-able to more people. I’d rather seem more people learn to empower themselves properly then worrying about occult elitism and other snobbery.”

Q. Anyone who has watched you perform can see that movement if one of your many forms of Magick, and the oneness you have with your body and Spirit is visible to the audience. It’s otherworldly. Where do you find inspiration for your dance? What made you want to become a belly dancer in the first place? For me, the belly dancer is the embodiment of the Goddess, would you agree?

A. “Mythology, artwork, music, spellcraft – I find my inspiration anywhere and everywhere.  When I perform with The Mechanist & The Star Goddess, Davis and Nathaniel are creating music on the spot and I’m responding to them – and in turn they respond to me.  We’re also influenced by the venue, the people who have gathered there, the vibe of the day, etc.

“I got into bellydance because my best friend at the time introduced me to things she was seeing in the Bay Area of California – so I went looking for what I could find similarly in Rhode Island (where I was living then.) Everyone in our tradition signed up for classes as well, because it felt like such a natural thing to include into ritual.  I wouldn’t say the belly dancer is the embodiment of the Goddess – I’ve done too many genderfluid performances and know many other performers who identify outside of the gender binary. Plus there’s a lot of fakelore about the history of the dance that makes it seem very narrowly Goddess-centric, when it’s a dance that’s done culturally by a wide variety of ages, genders, and faiths. I WILL say that learning to incorporate movement into ritual is an incredible way to access the Divine in multiple forms – not only exterior deities and spirits, but to connect with your own spiritual essence.”

Q. You are known for your Sigil Crafting skills, and making the Craftform accessible to everyone; what is it about Sigil Witchcraft do you enjoy the most? Why do you believe people are drawn to this form of the Craft? Especially since for many years people I ran into were completely turned off by Sigils; only associating them with Chaos Magickians.

A. “For me, art is my primary form of expression AND method of spellcraft. I love opening people’s minds to doing it for themselves. The ability of human beings to be able to mentally associate an abstract concept with a drawn mark is ancient – it’s one of the critical thought processes that sets us aside as a species. For thousands of years, humanity has employed the use of art and symbols to work magic and affect the metaphysical – it’s definitely not something that was invented by a white dude last century or a secret ensconced in 15th century European grimoires.  There are MANY methods – mine pulls from those ancient roots, yet bypasses other approaches to deliver a vision that people feel more connected with. Everyone has their own personal library of symbols and things that have meaning for them. If you work from what you’re familiar with, while expanding your horizons, it can have a profound and powerful effect on your magick. My method strengthens the ability of the right brain to visualize, which I think people find very familiar and inspiring.”

Q. What is one piece of Witchy advice you were given that you have never forgotten? 

A. “Oh so many good things, but I think my favorite actually came in reference to dance: “There’s something you can learn from every dancer.  Sometimes that’s what TO DO, and sometimes it’s what NOT to do.” Definitely applicable to witchcraft!

Q. What is one piece of advice you would give to anyone newer to the Craft?

A. Power comes from within, it already resides within you. All you have to do is learn to trust yourself – which sounds simple and easy, but it’s definitely the hardest thing for most people to learn.

Laura is on a mission, or several missions I should say.

She paints the world (quite literally) with her beautiful colors of dance, Witchcraft and Artwork; she gives her readers real advice that can be applied to their Craft and lives.

She is a force comprised of rebellion, resistance and an Ancient energy you have to feel to believe.

A Woman like her has earned the name Tempest; not only that, she embodies the storm.

It is for these reasons and so many more that she has been named The Nephilim Rising’s Witch of the Week.

Congratulations, Laura.

A reference list of all her past and current projects, along with sites (you can also find links above):

Blogs:
A Modern Traditional Witch (Patheos Blog) – http://www.patheos.com/blogs/tempest/
Fine Art Witchery (Witches & Pagans) – http://witchesandpagans.com/pagan-paths-blogs/fine-art-witchery/

Books:
The Witch’s Cauldron: The Craft, Lore and Magick of Ritual Vessels (Llewellyn, 2017)
Sigil Witchery: A Witch’s Guide to Crafting Magick Symbols (Llewellyn, 2018)
The Witch’s Altar: The Craft, Lore and Magick of Sacred Space (co-authored with Jason Mankey, Llewellyn, November 2018)
Weave The Liminal: Living Modern Traditional Witchcraft (Llewellyn, January 2019)
Contributor to Llewellyn Annuals (Magical Almanac, Witches’ Companion, etc)
Contributor to The Witches’ Almanac, Ltd
Illustrator for Witches & Pagans, SageWoman

Websites:
Art – www.owlkeyme.com
Author – www.lauratempestzakroff.com
Dance – www.darklydramatic.com
Design – www.magodjinn.com 

Projects:
The Mechanist & The Star Goddess  – https://www.facebook.com/TheMechanistandTheStarGoddess
We Are Aradia – https://www.facebook.com/WeAreAradia/www.wearearadia.org (under construction)

The Mind Killer

Christine Muraton

Image: Christine Muraton

“I must not fear. Fear is the mind-killer. Fear is the little-death that brings total obliteration. I will face my fear. I will permit it to pass over me and through me. And when it has gone past I will turn the inner eye to see its path. Where the fear has gone there will be nothing. Only I will remain.”

Frank Herbert


It’s funny how life comes in waves, it’s like one day there is calm, boredom, a moment of surrender, then suddenly you are thrown into a vortex—spinning out of control.

I knew change was coming, I have felt it down to my bones for months, but for some reason the change was taunting me, or perhaps I just wasn’t ready to accept it wholly into my life; either way it’s here now.

I have crossed the point of no return, and I am fucking terrified.

A few weeks ago I was put in contact with a Woman who ended up not being, shall we say, as professional as she should have been, if it was not for my intuition making me message my old English teacher (the one I wrote about a few months ago) I would have fell victim to a scam.

The one good thing that came out of that whole situation was it gave me the confidence and courage to keep moving forward, if I could have an hour long conference call and handle it like a boss, surely I can continue to push forward on my path following my dreams. I didn’t let my anxiety get the best of me, and I didn’t ignore my inner voice telling me that something was wrong.

I jumped in with the sharks, and I survived.

I was discouraged, and a bit hesitant though, and to say that I wasn’t would be a flat out lie; I want nothing more than to be an author. I want to see my work in print on the pages of a bound book, I want my message to reach the masses, I want to make waves, and imprint my name into the cosmos themselves.

I don’t care about money, although I would like to be able to make some kind of living from this, but just doing it, just knowing people are reading my work is payment enough. I keep saying “I want to be a writer”—reality is, I AM a writer, and I don’t need my words published in a book to validate that title.

Last week I happened to notice there was a message in my ‘other’ folder on Facebook, I have my personal account kind of on lockdown. I opened it and there was a message from a woman who had been shown my blog and she wanted me to write a piece on Luciferianism for her magazine; I jumped at the opportunity.

After sending her my completed piece, and her sending it back to me with a few small edits, and graphics attached, I was blown away. Is this real life? To see my name in print underneath and article about Luciferianism was surreal, and it still is. (I will let you know when it comes out.)

After a few messages back and forth she let me know about a project she is working on, a book that is a collection of work from several authors about Lucifer, and the Luciferian Philosophy. Then she asked if I wanted to join, if I wanted to contribute to her book.

Pump. The. Breaks.

“Me? She wants me to contribute to her book?” is all that I could hear in my head.

Like she even had to ask I thought as I typed a strong YES!

I knew in that moment that even though one door slammed in my face, another seemingly invisible one opened up; how cliché. Everything I have ever wanted is here, right here, knocking at my door, begging me to let the dreams manifest before my eyes.

But, I’m scared, I’m scared I am not good enough, I’m scared that every one of those writers is better than I, and has had more exposure than me and my blog. I am scared I will embarrass myself, or make myself vulnerable, just to be disappointed again.

It doesn’t really matter why I am scared, fear is fear and this fear could crush my dreams before they even get a chance to come to life, dreams that I have fought to keep alive.

You know what though, I have made it this far and I am just fine. I have built this blog from the ground up, as well as the fb page, and I seem to get a pretty good response to my writing.

My writing, my ranting, my madness, my individuality, my flavor, my sass, my venom, all of it seems to resonate with people. So, yeah, I may not know every grammar rule there is, and I probably destroy punctuation rules, too, but I am doing it, I am going after what feeds my Soul. How many people can say that?

I am chasing my dreams with a passion not seen before, and there is no room for fear in this world of mine. I have to let the voices of doubt motivate me, challenge me, and push me to the next level.

I earned this, I continue to earn this, and no one can take that from me.

Not even fear, because I, too, am a shark.

The Matriarch: Mary Magdalene

Gianluca

Image: Gianaluca Palma

“The church seemed doomed to failure, destined to go down to bloody death amidst the bleeding corpses of its victims, when the people discovered Mary. And only when Mary, against the stern decrees of the church, was dug out of the oblivion to which Constantine had assigned her and became identified with the Great Goddess was Christianity finally tolerated by the people.”

Elizabeth Gould Davis, The First Sex


I had an idea to write a post about Mary Magdalene a few days ago, I don’t know why but I was drawn to do it, only to decide against it in the end. I feel like I am not educated enough about her to even begin to tell her story, I do know that what little information is written in the Bible is not correct, shocker.

So, I have set out on a quest to find her story, while in the midst of my quest I found the quote above on a friend’s page, and it was yet another sign for me to journey down this road, for whatever reason.

This is not my original work, but this is a really good read full of great information about a version of the Goddess that is far too often forgotten. The Women in the Bible ARE aspects of us, aspects of the Great Mother and they are oppressed, hidden, and mocked just like rest of us. Their stories were twisted, or negated all together, left to one sentence such as Dinah, daughter of Jacob; her and her Mother’s would worship Inanna in the red tent, which was destroyed when the man became threatened by the Woman’s independence. I ask that you keep an open mind, and do not allow any Christian perspective, or hatred towards Christianity in general, blind your view of this aspect of the Divine Feminine.

Knowledge truly is power.

Legend:

“Mary Magdalene was of the district of Magdala, on the shores of the Sea of Galilee, where stood her families castle, called Magdalon; she was the sister of Lazarus and of Martha, and they were the children of parents reputed noble, or, as some say, royal descendants of the House of David. On the death of their father, Syrus, they inherited vast riches and possessions in land, which were equally divided between them.

Lazarus betook himself to the military life; Martha ruled her possessions with great discretion, and was a model of virtue and propriety, -perhaps a little too much addicted to worldly cares; Mary, on the contrary, abandoned herself to luxurious pleasures and became at length so notorious for her extravagant lifestyle that she was known through all the country round only as ‘The Sinner.’

Philo’s Enigmatic Interpretation of Ancient Texts

Sinners were people devoted to the moon-god, Sin. Moses spent 38 of 40 years in the Wilderness of Sin, the land where the god, Sin, was worshipped. Sinai is the feminine form of Sin; therefore, Mount Sinai can be called “the mountain of the goddess,” feminine counterpart of Sin. “Mary Magdalene” represented the Great-Goddess-Mother-Queen, wife of “Jesus.” Historically, she can be found in several prominent Roman families: She was the daughter of Juba II, the King of Mauretania and wife, Queen Cleopatra Selene (daughter of Antony and Cleopatra). She was also known as Agrippina the Elder; her sister was Julia the Younger and her step-brother was Drusus Germanicus, the secret younger son of Emperor Tiberius. She was known as Livilla, mother of twins whose grandfather was Emperor Tiberius. And, she can be found disguised as a man: Philo of Alexandria and Emperor Claudius’ powerful freedman Pallas.

Legend

“Mary’s discreet sister, Martha, frequently rebuked her for these disorders and at length persuaded her to listen to the exhortations of Jesus, through which her heart was touched and converted. The seven demons which possessed her, and which were expelled by Jesus, were the seven deadly sins common to us all. The struggles of these seven principal faults are; first, Gluttony or the pleasures of the palate; secondly, Fornication; thirdly, Covetousness, which means Avarice, or, the love of money, fourthly, Anger; fifthly, Dejection; sixthly, “Accidie,” which is the sin of spiritual sloth or sluggishness; and seventhly, kenodocila which means ego, foolish pride or vain glory.

On one occasion Martha entertained the Savior in her house, and, being anxious to feast him worthily, she was  ‘cumbered with much serving.’ Mary, meanwhile, sat at the feet of Jesus, and heard his words, which completed the good work of her conversion; and when, sometime afterwards, be supped in the house of Simon the Pharisee, she followed him thither and she brought an alabaster box of ointment and began to wash his feet with tears, and did wipe them with the hair of her head, and kissed his feet, and anointed them with ointment – and He said unto her, Thy sins are forgiven’.

Fact

“The word translated as “demons” can be, and is, translated as “Angels” in other biblical verses. Seven in Hebrew is Shabbat. Shabbat Hamalka represented the feminine side of Yahweh – his consort, and she is of extremely ancient origin. Sometimes called Asherah, Shekhina, etc., this goddess is a combination of Queen, Bride, and Goddess.

Philo’s Enigmatic Interpretation of Ancient Texts

The referenced “anointing scene” harkens to the Old Testament, Song of Solomon. King Solomon and his “Sister-Bride” sing a love song as they profess their everlasting love. Many myths of “gods and goddesses” describe them as “Sister-Bride, Brother-Groom.” The king of Libya, Juba II, first married Cleopatra Selene, daughter of Antony and Cleopatra. However, he married a second time: his second wife was Glaphyra, widow of Alexander III, son of Herod the Great and Jewish princess, the Hasmonean Mariamme. With that marriage, Juba’s children with Selene and Glaphyra’s children with Alexander became “Brothers and Sisters.” When Juba’s eldest daughter married Glaphyra’s eldest son, they became, “Sister-Bride, Brother-Groom.

Legend

“Tradition relates that after the Crucifixion, Mary traveled to Italy, met with the Emperor Tiberias (14-37 AD) and proclaimed to him about Christ’s Resurrection. According to tradition, she took him an egg as a symbol of the Resurrection, a symbol of new life with the words: “Christ is Risen!” Then she told Tiberias that, in his Province of Judea, Jesus the Nazarene, a holy man, a maker of miracles, powerful before God and all mankind, was executed on the instigation of the Jewish High-Priests and the sentence affirmed by the procurator Pontius Pilate. Tiberias responded that no one could rise from the dead, any more than the egg she held could turn red. Miraculously, the egg immediately began to turn red as testimony to her words. Then, and by her urging, Tiberias had Pilate removed from Jerusalem to Gaul, where he later suffered a horrible sickness and an agonizing death.

Philo’s Enigmatic Interpretation of Ancient Texts

“After the “Passover-Passion Pageant,” designed to merge the Jewish “Messiah” with the Greco-Roman and Egyptian “Dying-and-Resurrected Savior” (Dionysus, Osiris, Serapis, etc.), the woman who played the role of “Mary Magdalene” accompanied her husband, the man who portrayed “Jesus,” to Alexandria, Egypt. “Jesus” became the Alabarch of Alexandria; “Mary Magdalene” assumed one of the names carried by her famous grandmother, Cleopatra Thea Philo Pater (wife of Marc Antony), which were probably the names she also carried. Using the name, Philo, and claiming to be a man, “Mary Magdalene” became famous as the philosopher and chief proponent of merging of Judaism with Greek Philosophy. She also promoted the allegorical interpretation of scripture, the only method by which their story could be told.”

Legend

“Suggestions of commentators and legend continues Mary’s story. Fourteen years after the ascension, Lazarus with his two sisters, Martha and Mary; with Maximin, one of the seventy-two disciples, from whom they had received baptism; Cedon, the blind man whom our Savior had restored to sight; and Marcella, the handmaiden who attended on the two sisters, were by the Jews set adrift in a vessel without sails, oars, or rudder; but, guided by Providence, they were safely borne over the sea till they landed in a certain harbor which proved to be Marseilles, in the country now called France.

The people of the land were pagans, and refused to give the holy pilgrims food or shelter; so they were fain to take refuge under the porch of a temple and Mary Magdalene preached to the people, reproaching them for their senseless worship of idols; and though at first they would not listen, yet being after a time convinced by her eloquence, and by the miracles performed by her and by her sister, they were converted and baptized. And Lazarus became, after the death of the good Maximin, the first bishop of Marseilles.

These things being accomplished, Mary Magdalene retired to the cliffs not far from the city. It was a frightful barren wilderness and in the midst of horrid rocks she lived in the caves of Sainte-Baume; there for thirty years she devoted herself to solitary penance for the sins of her past life, which she had never ceased to bewail bitterly. During this long seclusion, she was never seen or heard of, and it was supposed that she was dead.

Mary fasted so rigorously, that but for the occasional visits of the angels, and the comfort bestowed by Celestial visions, she might have perished. She was given the Holy Eucharist by angels as her only food. Every day during the last years of her penance, the angels came down from heaven and carried her up in their arms into regions where she was ravished by the sounds of unearthly harmony, and beheld the glory and the joy prepared for the sinner that repenteth.

One day a certain hermit, who dwelt in a cell on one of those wild mountains, having wandered farther than usual from his home, beheld this wondrous vision-the Magdalene in the arms of ascending angels, who were singing songs of triumph as they bore her upwards; and the hermit, when he had a little recovered from his amazement, returned to the city of Marseilles, and reported what he had seen.

Philo’s Enigmatic Interpretation of Ancient Texts

“Mary Magdalene” spent the remainder of her life in various locations including: Alexandria, Rome, Emesa, and Greece using a variety of aliases. Inscriptions in Athens, dedicated to “Juba’s Daughter,” were in recognition of all she did for the Roman Empire as the Freedman, Pallas. A tongue-in-cheek letter written by Pliny the Younger to his friend Montanus enumerates some of her many accomplishments.”

Legend

“According to Church tradition, Mary Magdalene remained in Rome until the arrival of the Apostle Paul, and for two more years still, following his departure from Rome after the first court judgment upon him.

Philo’s Enigmatic Interpretation of Ancient Texts

“Paul was never an “apostle” but remained the arch-enemy of Jesus and all he attempted to teach and to do. “Jesus” and “Mary Magdalene,” using the aliases Narcissus and Pallas lived in Rome from 41 until 54. They filled powerful positions under Emperor Claudius and were responsible for the many innovations that improved the lives of Roman citizens, including the poorest and most vulnerable. Both their sons served as “Procurator of Judea.” (One from 46 to 48; the other from 51 to 60.)

Legend

“From Rome, Mary Magdalene, moved to Ephesus where she unceasingly labored the holy Apostle John, who with her wrote the first 20 Chapters of his Gospel (John 1-9, John 10-20). There the saint finished her earthly life and was buried. Mary was transported miraculously, just before she died, to the chapel of St. Maximin, where she received the last sacraments. She died when she was 72.”

Allegorical interpretation of scripture:

“Mary Magdalene” and “Jesus” traveled to Ephesus and may have lived there when she wrote “The Gospel of John.”

However, her work was “over-written” by a later author who called himself “John” and corrupted much of her original work. “Mary Magdalene” was also known as “Io Anna,” the feminine form of “John.” Io and Anna are both names of goddesses. She died in 74 CE at the age of 84, just as Luke reported (Luke 2:36-7). She was using the alias “Caenis” and purported to be Vespasian’s “mistress.” She was, in fact, his co-ruler and his aunt. Vespasian was her sister’s son.”

Legend

“In 899 the Emperor Leo VI transported her alleged relics to a monastery in Constantinople. It was not until the tenth century that devotion to Mary Magdalene, the composite saint, took root in the west.”

Philo’s Enigmatic Interpretation of Ancient Texts

“Mary Magdalene” may have been buried in her family’s mausoleum in Mauretania as the inscribed “Roman Woman.” The mausoleum is called, “the tomb of the Christian woman,” which can also be translated as, “the tomb of the Feminine Christ.”

She has been forced to remain silent for too long, misrepresented, and it is time that we become her voice and allow her story to be told through us.

Source: http://www.thenazareneway.com/life_of_st_mary_magdalene.htm