Continued from Part 2…
When writing this story, I aimed to use a present tense to emphasize the “here and now” nature of how I see it. It is not to be interpreted as referring to any sort of historical event somewhere in the past, nor is it dependent on any one text.
It is symbolically teaching about consciousness and spiritual practice.
I implemented a biblical writing style I think appropriate in feel and accordingly a verse system to make reference easy.
So, let’s break it down a bit at a time….
“1. In the beginning is the Abyss, a heart of radiant darkness dwelling in the unity of depth and silence, the waters of a womb pregnant with possibility, an emptiness of form yet a fullness of potentiality.”
What is pointed to here is the ultimate fundamental reality beyond all conceptual being. All description can only point at it, it can only be experienced. In the Gnostic system of Valentinus, according to Iranaeus, it is described as a kind of androgynous formless unity, a Father called Depth (Bythos) and a Mother called Silence (Sige), two aspects with no clear distinction possible so utterly unified are they, not Father and Mother but rather Father-Mother. Preceding the figurative moment of creation, the unity may be described simultaneously as empty given that no form, no conceptualization, is present, yet given this state contains within it the potentiality for all things, it may also thus be described as a resounding Fullness (Pleroma). It is the heart of all being. The concept is paralleled in the Saivite Tantric system in the concept of the Tattva of the Heart (hrdaya):
“It is this same ultimate principle that is worshipped in radically nondual Goddess Tantra as Kali Kala-sankarsani: the radiant Dark, the resounding Silence, the Devourer of Time—by which is meant the timeless ground of the cycle of creation, stasis, and reabsorption.” -”Tantra Illuminated,” by Christopher D. Wallis
Interestingly this concept is even found in Christianity in the work of the early church father St. Gregory of Nissa:
“For leaving behind everything that is observed, not only what sense comprehends but also what the intelligence thinks it sees, it [the heart] keeps on penetrating deeper until by the intelligence’s yearning for understanding it gains access to the invisible and the incomprehensible, and there it sees God. This is the true knowledge of what is sought; this is the seeing that consists in not seeing, because that which is sought transcends all knowledge, being separated on all sides by incomprehensibility as by a kind of darkness. Wherefore John the sublime, who penetrated into the luminous darkness, says, ‘No one has ever seen God’, thus asserting that knowledge of the divine essence is unattainable not only by men but also by every intelligent creature.” -“Life of Moses”
In Hermetic Qabalah this largely corresponds to the Ain Soph, the “no limit”, that precedes creation.
In terms of consciousness this may be described as pure Awareness, Self in the most authentic sense. Take a moment to look at yourself, who are you really? You are not your narratives. You are not your emotions or any other transient thing about you. They are all valid parts, but none are a whole and none are constant. What is the one part of you that is in fact constant, the “You” that is always there in every waking moment? Nothing other than Awareness itself, the arena in which all experience occurs. This pure Consciousness, the “Higher Self,” is what pervades all experience, it is what preceding all label and thought and is the source of all things.
Now, it is very common in spiritual circles to say things like “You are not your thoughts, feelings, body, etc.” As I said, “You are not your narratives.” And in a sense, this is very very true and can be a critically helpful and necessary realization. It opens the door to the all-important question: “If I am not these things, then who or what the hell am I?” But this language also has a built-in danger, a door can be opened to dissociation and spiritual bypassing, to self-gaslighting where things such as feelings, thoughts, and the body, or even material reality itself are dismissed as illusory.
We need not fall into that trap though if we think of ourselves more like an iceberg. Imagine if our thoughts, our feelings, our bodies, our experiential reality are often like the tip of that iceberg. No one would be foolish enough to claim that the tip that we see is fake or not real, but we often are foolish enough to assume that the tip of the iceberg is the whole thing. The problem is a matter of perception.
We overidentify with the tip and ignore the very depths and ground of our being, so narratives that allow us to take that step back and see the big picture are thus really important! We just need to not go so far as to make the mistake of total dissociation from the iceberg. The tip is just as much an important, genuine, necessary, valid, and good part of us as what lies beneath it.
Now to return to the answers to these questions: if I am not merely these things above the surface, what the hell am I? What the hell are we? What the hell is reality? Let’s take the iceberg analogy a bit further. Reality as we view it is really more like countless tips poking through the surface of ordinary perception, and we see the diverse forms each one takes individually, but beneath the surface all those individual tips are part of one mindbogglingly huge mass of ice. That depth that lies beneath the surface? The ground of your very being? It is Awareness itself! It is what is actually is doing the viewing of each individual tip. It is also the least unique thing about you! Now that flies in the face of what you are socially taught as our sick society thrives on the largely ephemeral things that divide us, feeding the ego and profiting off its insecurity and alienation. Reality has little time for such delusion, however. We are connected, and we have far more in common than we do differences. Difference and diversity should be celebrated absolutely but also, we are a communal species, and we should act like it.
“2. From the passion of unity of light and dark, depth and silence, potentiality overflows into
manifestation in a creative explosion, emanating as dualities pervaded by unity, like a tree
sprouting mirrored branches from its trunk. Every branch was another womb, another world, another home, each with its rulers and citizens.”
“From the passion of unity of light and dark, depth and silence” is a direct reference to the idea of creation coming into existence due to the sexual union of Divine masculine and feminine principles. It is a means of describing in relatable terms the energy of creation from unity to a duality prevaded by an ongoing unity. In Tantra this is embodied in the famous union of Shiva and Shakti. I would like to be careful to point out that each part of any such pair is whole
and complete in and of itself, it does not “need” a counterpart, it seeks its other not from any position of lack, but from a position of overflowing potential manifesting as a willingness to share in free creative worship. I would also caution regarding the use of gender in spirituality. Such language is simply a useful tool for describing polarities, for creating a usable system out of already existing and commonly understood language, but do not assume that naked reality cares one bit for such socially constructed divisions! Reality is more like a diverse spectrum than any neat divide.In Valentinus’ system the action of Silence upon Depth causes the emanation of a series of progressive emanations of unified pairs called syzygys. In Tantra a system of emanations of Tattvas is seen. Here, however the Hermetic Qabalah is in focus, with this interpretation seeing the Trees of Life and Knowledge as one Tree with two sides, each sephiroth and qliphoth an inseparable pair. This is the “tree sprouting mirrored branches from its trunk.”
“3. The dark emanation from primal silence, the first thought, the embodiment of wisdom, is called
Lilith.
4. The light emanation of primal depth, the embodiment of liberation, is called Lucifer.”
The primal first principles from the beginning take form as emanations, named Lilith and Lucifer. Here they take and act out the roles that in Gnostic myth are that of Sophia and Christ respectively. It is also here that the myth becomes expressly Luciferian in nature.
“5. Now, in order for manifestation to occur, in order for unity to exist as plurality, an illusion of
separation within unity must occur. In order that the whole may be revealed, it must first be
concealed.
6. Hence, Lilith in her wisdom sets out to impart concealment. She weaves a web of fate, and begins
to pull its strings. Being utterly one with source she cannot be the concealer herself, so she brings forth
a being modeled on the highest oneness yet ignorant of its origin, a craftsman to create and separate
and manifest the illusion on behalf of the Divine.”
We turn next to Lilith’s role in the unfolding of Divine will. In the Gnostic version of the creation myth the embodiment of the divine feminine is known as Sophia, and she creates the Demiurge by mistake when she attempts to create something without her masculine partner. She then falls into and becomes trapped in the creation of the Demiurge, waiting for Christ to rescue her. Obviously, the Gnostics were Jews and Christians, and this version of the myth is accordingly patriarchal. The result also leaves a degree of dualism even in the otherwise monist scheme of Valentinus.
But what if we keep the myth but clean out the patriarchy with the Luciferian approach instead? With Lilith in this role things work much better. Now, rather than an ignorant damsel in distress, we have an empowered cosmic being knowingly creating the Demiurge as part of the natural and necessary process of manifestation. Any remaining dualism is eliminated. The world isn’t an illusion to escape from, it’s a real and valid part of creation about which we have illusions we need to be liberated from and those illusions need to come into existence precisely so that liberation can happen.
“She weaves a web of fate and begins to pull its strings.” With this phrase Lilith is likened to a spider on a web because, as the creator of the Demiurge, as the one who is both the actual manifest immanent Divine lying behind the Demiurge’s illusions, she is the weaver of the web of cause and effect, what in Buddhism is called “codependent origination,” the understanding of reality as a vast predetermined multidimensional pattern of interdependence. Quite simply the cause of all things is everything else that has ever occurred! It could not be otherwise.
“7. She creates the Demiurge, who looks upon creation as though he were floating over a chaos of
formless waters, an imperfect reflection of the Divine, and he begins to create, separating light from
dark, water from dry land and so on, naming and imposing limit.
8. He creates for himself angels to serve him, imitations of the highest emanations, and a kingdom to
rule over until the end of the age.”
We are now meeting up with the standard Genesis account with the Demiurge perceiving himself floating over the waters that are “formless and void.” As in that myth, which gives no explanation where he came from, he begins to create a world, and he does this via a process of separation and imposing name. If the primal heart or oneness from which all things spring is seen as our direct nonconceptual experience of raw reality, then the Demiurge can be seen as the embodiment of ego, creating a world of narratives and identity that hides that reality from us.
As we so often do in life, we attempt fit everything within the convenient boxes of label, and that isn’t bad in some moral sense. Labels are useful but the reality we blind ourselves to is the reality that such narratives are not truths but tools. And as so often happens, reality refuses to conform to the boxes we try to stuff it in. It is too messy, too wild. Dissatisfaction and suffering are the inevitable result of all this, feelings of fear and incompletion, lashing out, and the search for escape, for salvation, for liberation arises. Rebellion becomes necessary. I want to take a moment to be very clear here about something: the Demiurge is not and should not be described as simply “evil”! Evil is first of all a human moral construct, and while often the Demiurge here is functioning in the role of ego, and while much “evil” can definitely arise from that, it also needs to be recognized that the ego serves a critically important role, a necessary role in human development. It is also important to understand the context in which Luciferianism is rising from: a defiance of Christian supremacy. It subverts the dominant oppressive forms of Christianity. It is not a subversion of every form of Christianity nor is it simply a subversion of Judaism. It is extremely dangerous and unacceptable to simply demonize the deity of an oppressed group, in this case that would lead directly to antisemitism, and there is nothing Luciferian about bigotry. There is a world of difference between the Demiurge presented by the dominant American megachurches and those of similar mind on the one hand, who we happily blaspheme, and the God professed by the downtrodden, with whom we will gladly show solidarity.
“1. Lucifer, seeing the kingdom of falsity, steps forth in the form of an angel into the heaven where
the Demiurge rules and begins to spread truth among his servants. The angels marvel at his wisdom
and praise his beauty as being above all others, likening his glory to the morning star.
2. Yet many are angered at his unbending truth, denouncing him as proud, and there is war in the
heavens.
3. When the Demiurge moves to seize him, Lucifer casts himself down to the earth, leading a host of
angels with him, where he begins to work time and again to shine the light of liberation within the
world as an example to all.
4. In a world of lies the speaker of truth is hated, but where there is oppression there is always
resistance.”
One of the most popular myths regarding Lucifer that has captivated people far beyond Luciferians themselves is the myth of his fall. This derives from the 14th chapter of Isaiah which regards a Babylonian king. However, when the text was translated into the Latin Vulgate under direction of St. Jerome in the 4th century he used the name Lucifer, which was a symbolic personification of the morning star used by Roman poets. The Romans did not consider Lucifer a deity in the way they did say Mars or Mercury. It is not due to a mistake that the verse is associated with Lucifer and the Orthodox Satan as is sometimes believed. Rather, early Christian writers such as Origen and Tertullian in “Adversus Marcionem” already had associated the text with the Devil before Jerome. So simply the myth can be read to both be a prophecy about a human king and also a reference to already existing lore regarding Satan. The myth has certain plot holes that placing it into a Gnostic context easily fills. How can angels, who are supposed to be perfect and basically utter slaves, be described as proud and spontaneously engage in rebellion? How is he not simply seized and destroyed by the Demiurge who is supposed to be all powerful? An intrusion from outside is clearly needed.
If Lucifer is the Gnostic Christ, his appearance in heaven is simply the intrusion intended to subvert the Demiurge’s kingdom and provide an example for humanity to follow. He cannot be simply destroyed because he is more powerful and of purer stuff than the Demiurge. He does not simply destroy the Demiurge because the being serves a necessary purpose.
“1. The Demiurge then goes forth and begins to create from clay a figure, in the shape of that which
he saw in the waters and tries to give it life. At the moment he breathes into it, Lucifer steps forth
again, bestowing a life-giving flame, and the first man comes alive, but like his creator, the man is
ignorant of the true source of his nature.
2. Satisfied, the Demiurge declares the need for this man to have a servant, as his angels serves him,
and so, he forms a woman of the same substance, but being closest in form to the true manifest world,
Lilith herself takes on the body in accordance with Divine Will.”
In much of the accounts from here on I present a retelling of the myths of Adam and Eve and Cain and Abel rooted in the biblical account but filling out the often-sparse nature of such texts by drawing on Gnostic scriptural traditions that can be found in the Nag Hammadi scriptures as well as points taken from folklore and non-Canonical texts such as the “Life of Adam and Eve” and Traditional Witchcraft lore regarding Cainite mysteries. In verses 1 and 2 we are in pretty standard biblical territory although the Demiurge, lacking the ability to give genuine life to anything, requires Lucifer to step in and bestow that spark secretly. This points to the idea that all life, all humans whether having Gnosis or not, are endowed with the spark, the Black Flame, of Divinity within them all of them have the potential whether or not it has been used. It also points the fact that even the realm of illusions that the Demiurge creates contains a bit of the essence of the Divine. The Demiurge again continues his attempts to create, driven to model his continued work as a poor image of things above him and things he has already done. In this he is us, our ego, constructing narratives that at best can contain some degree of Truth, can point at Truth, but are always inferior imitations, undermined often by the nature of Truth itself undermining our certainty. He accordingly makes a woman and for a moment we step out of the biblical text and into folkloric accounts. Lilith takes the opportunity to step forward. This theme of Lucifer and Lilith each stepping into the act of creation is present at every point in this myth as manifestation is seen as a kind of dance, a conversation, they each play their role in the undermining of the Demiurge’s plans.
“3. From the beginning Lilith argues with the man, who demands she lie beneath him and be
subservient to him and bear him offspring. She refuses, declaring herself his equal, and when she
finds he will not relent, she flees his presence across the Red Sea.
4. The Demiurge in his anger sends his angels after Lilith but she speaks the True Name of the
Demiurge and in that moment, seeing her true nature and power revealed, they can not seize her.
5. Lilith dwells then in a cave upon the sea, hidden as a spider in a burrow, waiting and weaving
the strings of Divine Will.
6. The Demiurge then creates a new woman from the rib of the man he called Adam, a woman who
would be called Eve.”
I present here a simple and pretty straightforward retelling of the standard Lilith myth. But it raises a big question: How does she know his True Name if she is simply his human creation? The True Name of a thing, in occult tradition, embodies that which is named.
To know it suggests tremendous power and such names are typically kept secret. I suggest there’s really only one way she could know it: because she created him. She is a demonization of the feminine archetype, a kind of dark Shekinah. She is the Gnostic Sophia minus the patriarchy.
Let’s go further into the identity of Lilith. In 1587, the famed occultist John Dee with his partner Edward Kelley evoked a spirit, who gave a famous vision where she said,
“I am the daughter of Fortitude and ravished every hour from my youth. For behold I am Understanding and science dwelleth in me; and the heavens oppress me. They cover and desire me with infinite appetite; for none that are earthly have embraced me, for I am shadowed with the Circle of the Stars and covered with the morning clouds. My feet are swifter than the winds, and my hands are sweeter than the morning dew. My garments are from the beginning, and my dwelling place is in myself. The Lion knoweth not where I walk, neither do the beast of the fields understand me. I am deflowered, yet a virgin; I sanctify and am not sanctified. Happy is he that embraceth me: for in the night season, I am sweet, and in the day full of pleasure. My company is a harmony of many symbols and my lips sweeter than health itself. I am a harlot for such as ravish me, and a virgin with such as know me not. For lo, I am loved of many, and I am a lover to many; and as many as come unto me as they should do, have entertainment.”
Now this bears striking resemblance to a text neither Dee nor Kelley had access to: the Gnostic scriptures of Nag Hammadi, the text of “Thunder, Perfect Mind,” where Sophia, also known as Barbelo, speaks for herself,
“I am the honored one and the scorned one.
I am the whore and the holy one.
I am the wife and the virgin…”
and
“I am the knowledge of my inquiry,
and the finding of those who seek after me”
A careful comparison is worth studying as the places where the character differs seem to be directly related to history, “Thunder…” was written at a time when the role of women in the church was being debated. The “Daughter of Fortitude” speech is the words of a goddess set to return,
“As yet, I walk in the clowdes,
As yet, I am carryed with the wyndes:
And cannot descend unto you
for the multitude of your abbominations,
& The filthy lothesomnes of your dwelling places.”
“….I comme unto you again.”
Aleister Crowley and Victor Neuberg performed Dee’s ritual themselves in 1909
and here the Goddess Babalon revealed herself saying,
“I am the harlot that shaketh Death.
This shaking giveth the Peace of Satiate Lust.
Immortality jetteth from my skull,
And music from my vulva.
Immortality jetteth from my vulva also,
For my Whoredom is a sweet scent like a seven-stringed instrument,
Played unto God the Invisible, the all-ruler,
That goeth along giving the shrill scream of orgasm.”
In Thelemite Jack Parson’s Babalon Working, Babalon ties her own identity directly to Dee’s ritual.
“23. My calls as thou knowest. All love songs are of me. Also seek me in the Seventh Aire.” -Liber 49
Crowley also flatly stated,
“Here also is a mystery of mysteries. Lilith is truly Babalon.” -”footnote on the 3rd Aethyr”
So. If Daughter of Fortitude = Sophia, Daughter of Fortitude = Babalon, and Babalon = Lilith, then Lilith= Daughter of Fortitude and Lilith= Sophia.
Psychologically our ego is a direct product of our environment and upbringing and Lilith as an embodiment of the manifest world, literally a dark sort of ‘earth mother” is that environment. Like the real manifest raw reality, she sits hidden behind the veil, the realm of the Demiurge, yet continues to pull the strings of fate, and this is symbolized in her residency in her cave; a cave that naturally sits on a sea, reiterating her relationship to the watery Abyss of nonconceptual reality.
“1. Now there grows in the midst of the garden a tree, and the Demiurge knows not from where it came and is afraid, but he takes credit for its creation and warns Adam and Eve saying “From any tree of the garden you may freely eat; but from the tree in the middle you shall not eat, for on the day that you eat from it you will certainly die. ”
While the Demiurge is away curiosity gets the best of Eve and she approaches the tree.”
The classic story of the Garden of Eden is a symbol for the basic human situation. We come into this world as children into a garden with nothing but our inborn potentialities, our inborn Divine nature, yet ignorant. We are taught rules, narratives as we grow, do this, don’t do that. The world is divided into the pure we can touch and the impure we mustn’t. But before the installation of social conditioning we experience reality nakedly. This is reminiscent of the Indian Left Hand teachings of the Aghori sadhus:
“The gurus and disciples of Aghor believe their state to be primordial and universal. They believe that all human beings are natural-born Aghori. Hari Baba has said on several occasions that human babies of all societies are without discrimination, that they will play as much in their own filth as with the toys around them. Children become progressively discriminating as they grow older and learn the culturally specific attachments and aversions of their parents. Children become increasingly aware of their mortality as they bump their heads and fall to the ground. They come to fear their mortality and then palliate this fear by finding ways to deny it altogether.” – Ron Barrett, “Aghor Medicine: Pollution, Death, and Healing in Northern India”.
Interestingly, this idea that the method is one of returning to a primordial,
Christ teaches childlike state as well:
“At that time the disciples came to Jesus and said, “Who then is greatest in the kingdom of heaven?” And He called a child to Himself and set him before them, and said, “Truly I say to you, unless you are converted and become like children, you will not enter the kingdom of heaven. Whoever then humbles himself as this child, he is the greatest in the kingdom of heaven.” -Matthew 18:1-4, NASB
And yet much like the mysterious Tree, reality intrudes into our world of illusions, a means that can be used for escape, though we are told of course, “Thou shalt not touch it!”
“2. On its shady side Lucifer awaits in the form of a serpent. And he says to the woman, “Has your
Lord really said, ‘You shall not eat from any tree of the garden’?”
Eve replies, “From the fruit of the trees of the garden we may eat; but from the fruit of the tree
which is in the middle of the garden, God has said, ‘You shall not eat from it or touch it, or on that
day you will die.’”
3. The serpent says to the woman, “You certainly will not die! For your Lord knows that on the day
you eat from it the eyes of your mind will be opened, and you will become like the Divine, knowing
good and evil.”
4. When the woman sees that the tree is good for food, and that it is a delight to the eyes, and that
the tree is desirable to make one wise, she takes of its fruit and eats. Immediately the eyes of her
mind are opened and she sees things nakedly. Imbued with the power of the fruit, she is with child,
though she does not know it.”
The “shady side” of the tree is a reference to the Sitra Achra, the “other side” of the Tree of Life in Hermetic Qabalah, and I imply here that rather than two trees growing in opposite directions and united only by their root as some traditions speak, I favor an interpretation where the light and dark sides are one fully united tree and to work with one side is to work with the energies of the other. An obvious question should arise to anyone reading this myth: given that the Demiurge depicted in Christian versions is supposed to be a beneficial character, one mankind is supposed to follow, if that is the case, why does he so much wish his creations to remain ignorant and enslaved to his will? Doesn’t seem very “good.” The Luciferian answer, which dates back to the Gnostics who first said it, is: because the Serpent is actually the one mankind should be following not the Demiurge. It is the Serpent who acts as the liberator. And surely enough, Eve did not die on the day she ate of the tree but as promised the eyes of her mind were opened. Next question: what exactly was the “fruit” in question? The fruit of the tree is metaphorical for sacred sexuality. Note that the type of fruit is not mentioned. It is said to awaken to the knowledge of good and evil and reveal nakedness. What sort of act could both reveal nakedness and the implications of one’s actions? The counterargument here that one might expect is that surely the Demiurge does not see sexuality as a sin in and of itself as, in the original scriptures, he gives the command to “Go forth and multiply” and therefore the fruit cannot be sexuality. But what needs to be understood is that the fruit given here is not just any sexuality. It is one outside the boundaries of the Demiurgic plan. It is a sacred one, nothing less than sex magick. The Demiurge intended for sexuality to be for procreation, hence why his command was focused on reproduction, and given his rejection of the equality between Lilith and Adam and the creation of the subservient Eve, he intended for the power dynamic of procreative sexuality to be patriarchal. Lucifer’s gift to Eve was one that bestowed the knowledge of a sexuality that transgressed all that. In doing so he planted a seed of his own, a blood line of a different order.
“5. She gives fruit to Adam and he also eats of it and the eyes of his mind see their nakedness. In
shame he makes them garments of fig leaves to cover themselves.
6. The Demiurge returns in the cool of the day and when Adam sees him he hides himself.
“Where are you?” the Demiurge calls out.
7. Adam says, ““I heard the sound of you in the garden, and I was afraid because I was naked; so I
hid myself.”
8. And the Demiurge asks, “Who showed you your nakedness? Have you eaten from the tree from
which I commanded you not to eat?”
9. The man says, “The woman whom You gave to be with me, she gave me some of the fruit of the
tree, and I ate.”
10. Then the Demiurge says to the woman, “What is this that you have done?” And the woman
says, “The serpent seduced me, and I ate.”
11. Then he curses the serpent for giving them a glimpse of naked reality.
12. He curses the woman and the man and all their descendants for their disobedience. He condemns
forever the seed of the Serpent and the man to enmity.
13. Then the Demiurge says to his angels, “Behold, the man has become like one of Us, knowing good
and evil; and now, he might reach out with his hand, and take more fruit from this tree of life, and
eat, and live forever.”
14. He then makes them drink from the waters of forgetfulness and casts the couple out into the
world and sets angels to guard the tree for all time.”
Having learned from the Serpent, Eve now initiates Adam who likewise awakens but feels shame for his transgression and chooses to cover the offending body parts. When the Demiurge returns, he hides himself in fear. He immediately blames Eve who then blames the Serpent. Note that Adam’s primary sin here is basically that he listened to his wife but neither of them, despite having a small glimpse of Gnosis, is willing to take responsibility for their actions. So, the Demiurge begins handing out his punishments and he specifically places a curse of enmity between the seed of the Serpent and that of Adam. Again, the idea of sexuality as fruit is invoked here as in the original scriptures the imagery of fruit and seeds is often used to refer to procreation. The seeds represent the spiritual bloodline of the Serpent and that of the Demiurge via the man, the Serpent-seed planted here specifically is that of Cain.
Next the Demiurge speaks to his angels and declares openly that the eyes of these humans have indeed been opened however briefly and that they have “become like one of Us,” so out of fear that they might more fully attain to such heights and become perhaps even more powerful than he, the Demiurge wipes their mind of any attainment and casts them out of the garden placing his angels to guard the Tree forever.
“1. Now Adam and Eve have their first children, a set of twins, who grow to be shining and
beautiful, the male she names Cain and his twin sister she names Calmana. They are of the blood of
the serpent, called Lucifer, as an image of the truth, a complementary unity with desire only for each
the companionship of the other.
2. Adam impregnates Eve and again twins are born, called Abel and Azura. They are of the blood
of their father, in the image of separation, out of deficiency they grow to desire their elder siblings.”
3. The Demiurge conspires with Adam and commands that Cain should marry Azura
and Abel should be wed to Calmana. When the older twins hear of this they protest to
Adam and he declares as his ruler instructed: to have Cain and Abel each bring an
offering to the Demiurge, that he might show one favor and thereby decide the case.
4. Now Abel is a shepherd in the hills and he brings to the altar his best lamb and slays
the peaceful beast upon the altar and a fire from heaven strikes down upon it and burns
it up and the smoke rises to the heavens.
5. Cain is a worker of the field, a grower of crops and he brings some of his best crops
to be offered up. He burns them upon the altar but the smoke does not rise, instead he
is surprised to find the smoke lingers on the ground at his feet and absorbs into it. Cain, angry at the rejection of his offering, leaves.
6. The next day as he is working in his fields, Lucifer appears to Cain as a fellow farmer
saying, “Behold! The ruler to whom you gave offering conspired against you! Listen
and follow me though and you will have great wealth and my relations will attend you.”
7. Cain asks, “Where are your relations?”
Lucifer responds, “I have come from roaming about the earth, and walking forth on it.
My relations are a kingdom all about you though men do not see them. I am your
relation as I am your father.”
8. At these words Cain’s ears are opened to truth and his eyes see clearly. He sees there
will be no justice without rebellion. He conspires with Calmana who lures Abel to the
field and Cain slays him there with his sickle. Upon that field of harvest, the Blood
Acre, Abel’s blood is offered up as sacrifice to the Divine, the blood following the path
of its furrows, a sacred place where the illusion of separation collapses, the roads of
material and spiritual cross. Here, the awakened Cain and Calmana worship in awe.
9. Cain makes a necklace of his bones as a wedding present for his bride. From Abel’s
blood and the grain of the field she makes a bread that they share in celebration, a
communion of the Divine, washing it down with wine from the vineyard.
10. In rage, Abel’s blood cries out for vengeance and the annihilation not merely of his
brother but also his descendants, for he is like the Demiurge who would say, “ I am a
jealous God, inflicting the punishment of the fathers on the children.”
10. And the Demiurge hears its call and comes and asks Cain, “Where is Abel your
brother?”
“Am I my brother’s keeper?” Cain answers disdainfully.
11. And he answers, “What have you done? The voice of your brother’s blood is crying
out to me from the ground.” And the Demiurge tries to curse Cain and Calmana but
they cannot be seized, so he only manages to put marks on them, horns that grow from
their heads and send them away.
12. So they leave the place and walk the Crooked Path of the witch, learning the ways
of herbalism and divining, how to traffic with spirits and work magick at the feet of
Lucifer and Lilith themselves.
13. From they and their descendants, all those bound by the spiritual lineage of
Witchblood, does all wisdom come. Unto humans the spirits teach knowledge, of
music to Jubal, of the forging of weapons to Tubal-Cain, of cosmetics to his sister
Naamah, and so on.
14. The history of man from then is the history of oppression and the enduring spirit of
rebellion against it, from which all progress comes.
It is important to reiterate that the myths being dealt with here are not historical but spiritual events, and this is exemplified in the Cain and Abel story, where we see the process of initiation and spiritual practice dramatically played out. Cain, whose name means to acquire, from a root that means to create, embodies the Initiate, he is the first Witch and therefore the root of the lineage of Witchblood. Abel, whose name derives from a word that may be rendered breath, vapor, and vanity, implies something surface, ephemeral, impermanent. He embodies the initiate’s binding narratives, habits, material unaligned with ultimate reality and therefore to some degree false. Calmana and Azura continue the theme of reality exiting in complementary polarity, both have names that imply beauty, though Calmana represents the deeper beauty of reality versus the surface nature of Azura.
The myth here derives from canonical sources with material supplemented from noncanonical sources with nods to Sabbatic Craft.
So, there you have it. Does this material resonate with you? Looking to put it into practice?
